Monday 3 December 2012

Poems by Anna Akhmatova

Willow

I was raised in checkered silence
in the cool nursery of the young century.
Human voices did not touch me,
it was the wind whose words I heard.
I favored burdocks and nettles,
but dearest to me was the silver willow,
my long companion through the years,
whose weeping branches
fanned my insomnia with dreams.
Oddly, I have survived it:
out there a stump remains. Now other willows
with alien voices intone
under our skies.
And I am silent . . . as though a brother had died.
                                                                                                              1949





The Muse
All that I am hangs by a thread tonight
as I wait for her whom no one can command.
Whatever I cherish most — youth, freedom, glory —
fades before her who bears the flute in her hand.

And look! she comes . . . she tosses back her veil,
staring me down, serene and pitiless.
“Are you the one,” I ask, “whom Dante heard dictate
the lines of his Inferno?" She answers: “Yes.”
—1924

Epigram

Could Beatrice have written like Dante,
or Laura have glorified love’s pain?




Anna Akhmatova, There Are Four of Us

Herewith I solemnly renounce my hoard
of earthly goods, whatever counts as chattel.
The genius and guardian angel of this place
has changed to an old tree-stump in the water.

Earth takes us in awhile as transient guests;
we live by habit, which we must unlearn.
On paths of air I seem to overhear
two friends, two voices, talking in their turn.

Did I say two? . . . There by the eastern wall,
where criss-cross shoots of brambles trail,
— O look! — that fresh dark elderberry branch
is like a letter from Marina in the mail.
— November 1961


 ------------------------------------------------

Now nobody will want to listen to songs,
the bitter days foretold come over the hill.
I tell you, song, the world has no more marvels,
do not shatter my heart, learn to be still.

Not long ago, as free as any swallow,
you rode the mornings out, you braved their dangers
Now you must wander as a hungry beggar,
desperately knocking at the doors of strangers.

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Some Poems by Frank O'Hara



The Day Lady Died
                 
It is 12:20 in New York a Friday
three days after Bastille day, yes
it is 1959 and I go get a shoeshine
because I will get off the 4:19 in Easthampton
at 7:15 and then go straight to dinner
and I don't know the people who will feed me

I walk up the muggy street beginning to sun
and have a hamburger and a malted and buy
an ugly NEW WORLD WRITING to see what the poets
in Ghana are doing these days
                                                  I go on to the bank
and Miss Stillwagon (first name Linda I once heard)
doesn't even look up my balance for once in her life
and in the GOLDEN GRIFFIN I get a little Verlaine
for Patsy with drawings by Bonnard although I do
think of Hesiod, trans. Richmond Lattimore or
Brendan Behan's new play or Le Balcon or Les Nègres
of Genet, but I don't, I stick with Verlaine
after practically going to sleep with quandariness

and for Mike I just stroll into the PARK LANE
Liquor Store and ask for a bottle of Strega and
then I go back where I came from to 6th Avenue
and the tobacconist in the Ziegfeld Theater and
casually ask for a carton of Gauloises and a carton
of Picayunes, and a NEW YORK POST with her face on it

and I am sweating a lot by now and thinking of
leaning on the john door in the 5 SPOT
while she whispered a song along the keyboard
to Mal Waldron and everyone and I stopped breathing




John Button Birthday

Sentiments are nice, “The Lonely Crowd,”
a rift in the clouds appears above the purple,
you find a birthday greeting card with violets
which says “a perfect friend” and means
“I love you” but the customer is forced to be
shy. It says less, as all things must.

         But
grease sticks to the red ribs shaped like a
sea shell, grease, light and rosy that smells of
sandalwood: it’s memory! I remember JA
staggering over to me in the San Remo and murmuring
“I’ve met someone MARVELLOUS!” That’s friendship
for you, and the sentiment of introduction.

And now that I have finished dinner I can continue.

What is it that attracts one to one? Mystery?
I think of you in Paris with a red beard, a
theological student; in London talking to a friend
who lunched with Dowager Queen Mary and offered
her his last cigarette; in Los Angeles shopping
at the supermarket; on Mount Shasta, looking . . .
above all on Mount Shasta in your unknown youth
and photograph.
   And then the way you straighten
people out. How ambitious you are! And that you’re
a painter is a great satisfaction, too. You know how
I feel about painters. I sometimes think poetry
only describes.
             Now I have taken down the underwear
I washed last night from the various light fixtures
and can proceed.

     And the lift of our experiences
together, which seem to me legendary. The long subways
to our old neighborhood the near East 49th and 53rd,
and before them the laughing in bars till we cried,
and the crying in movies till we laughed, the tenting
tonight on the old camp grounds! How beautiful it is
to visit someone for instant coffee! and you visiting
Cambridge, Massachusetts, talking for two weeks worth
in hours, and watching Maria Tallchief in the Public
Gardens while the swan-boats slumbered. And now,
not that I’m interrupting again, I mean your now,
you are 82 and I am 03. And in 1984 I trust we’ll still
be high together. I’ll say “Let’s go to a bar”
and you’ll say “Let’s go to a movie” and we’ll go to both;
like two old Chinese drunkards arguing about their
favorite mountain and the million reasons for them both.



Personal Poem

Now when I walk around at lunchtime
I have only two charms in my pocket
an old Roman coin Mike Kanemitsu gave me
and a bolt-head that broke off a packing case
when I was in Madrid the others never
brought me too much luck though they did
help keep me in New York against coercion
but now I’m happy for a time and interested

I walk through the luminous humidity
passing the House of Seagram with its wet
and its loungers and the construction to
the left that closed the sidewalk if
I ever get to be a construction worker
I’d like to have a silver hat please
and get to Moriarty’s where I wait for
LeRoi and hear who wants to be a mover and
shaker the last five years my batting average
is .016 that’s that, and LeRoi comes in
and tells me Miles Davis was clubbed 12
times last night outside BIRDLAND by a cop
a lady asks us for a nickel for a terrible
disease but we don’t give her one we
don’t like terrible diseases, then
we go eat some fish and some ale it’s
cool but crowded we don’t like Lionel Trilling
we decide, we like Don Allen we don’t like
Henry James so much we like Herman Melville
we don’t want to be in the poets’ walk in
San Francisco even we just want to be rich
and walk on girders in our silver hats
I wonder if one person out of the 8,000,000 is
thinking of me as I shake hands with LeRoi
and buy a strap for my wristwatch and go
back to work happy at the thought possibly so



Poem [Lana Turner has collapsed!]

Lana Turner has collapsed!
I was trotting along and suddenly
it started raining and snowing
and you said it was hailing
but hailing hits you on the head
hard so it was really snowing and
raining and I was in such a hurry
to meet you but the traffic
was acting exactly like the sky
and suddenly I see a headline
LANA TURNER HAS COLLAPSED!
there is no snow in Hollywood
there is no rain in California
I have been to lots of parties
and acted perfectly disgraceful
but I never actually collapsed
oh Lana Turner we love you get up
 

 

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