A VERY QUICK INTRODUCTION TO THE POETRY OF FRANCES PRESLEY (reading & talking about her poetry at 7.30, July 4, Coffee Corner cafe, Bishops Stortford)
Frances Presley was born in Derbyshire, grew up in Lincolnshire and Somerset, and lives in
north London. She studied modern literature at the
universities of East Anglia
and Sussex,
writing dissertations on Pound, Apollinaire, and Bonnefoy. She worked on community development and
anti-racism projects, and also at the Poetry Library. She collaborated with artist Irma Irsara in a
multi-media project about clothing and the fashion trade, Automatic Cross Stitch (Other Press, 2000); and with poet Elizabeth
James in an email text and performance, Neither
the One nor the Other (Form Books, 1999).
The title sequence of Paravane:
new and selected poems, 1996-2003
(Salt, 2004) was a response to 9/11/2001, and the IRA bombsites in London. Myne:
new and selected poems and prose, 1976-2005, (Shearsman, 2006) takes its
title from the old name for Minehead in Somerset. Lines
of Sight, (Shearsman, 2009), includes an approach to the Neolithic stone
sites on Exmoor, part of a multi-media collaboration with Tilla Brading,
published in 2010 as Stone Settings (Odyssey
Books & Other Press). Presley has
written various essays and reviews, especially on innovative British women
poets. Her work is included in
the recent anthologies Infinite Difference: Other Poetries by UK
Women Poets (edited Carrie Etter,
Shearsman, 2010), and A Ground Aslant – Radical Landscape Poetry
(edited Harriet Tarlo, Shearsman,
2011)
Her poetry is marked by its high seriousness of intent and theme,
made lively by her constant innovations in style and presentation, and a quiet
humane humour. It is a remarkably unified project, in which avant-garde
procedures such as improvisation, collaboration, multi-media presentation and
site‑specificness come from long work in feminism and social activity as much
as from artistic experimentation. Games are played with the meaningful things
of this world (like words and stones) to rearrange them and see what they say
to us. This isn’t complicated or obscure – it is what both children do and what
our ancestors did. It is how we get to know language, land, ourselves and our
relationships with others. It is the very project of human culture.
This is poetry, then, which reflects contemporary social and
artistic practice, but also picks up on the play with words and stones we all
engage in and can relate to. The ancient stone relics on Exmoor that have
interested her recently are characterised by their obscurity and small-scaleness,
far‑removed from megalithic mega‑monsters (doubtless commemorating the power of
our eternal ruling elites) like Stonehenge, Avebury and Brodgar. The Exmoor
stones are equally marks on the landscape, but presenting not domination and
incomprehensible awe, but smaller-scale, more human action, and need searching
for rather than thrusting themselves upon their on-lookers. This is the level we actually live and work
at, where our consciousness is formed. Her close attention to the sounds &
letters of language is evident in her forthcoming Alphabet
for Alina sequence (Five Seasons Press, 2012), and in the poem
“Learning Letters”, an improvisation on her childhood Dutch primer (her mother’s
tongue): “a new
formation” always, whether from childhood words or quartz pebbles.
Another delightful quality is the
openness of her writing to the world around her – whether it is writing where
the site of its writing is important (poésie en plein air) or where the world
itself forces itself in. Thus the poem “Culbone”, written in the numinous
location of Culbone Church, with language overheard earlier at the Ship Inn,
Porlock (various Romantic poet memories ion these places!) ends with the famous
“Nonsense” that had got Walter Wolfgang ejected from
the Labour Party Conference the day before.
Frances Presley on the Internet
Poems online
from Alphabet for Alina
- Carrie Etter: Poet, teacher & critic (blog): http://carrieetter.blogspot.co.uk/2010/02/infinite-difference-sampler-no-5.html
- Litter http://www.leafepress.com/litter2/presley-skelt/presley-skelt.html
earlier poems
- Great Works http://www.greatworks.org.uk/poems/fp1.html
- How2 http://www.asu.edu/pipercwcenter/how2journal/vol_3_no_2/ecopoetics/presley.html
About herself & writing
- Edmund Hardy, “An interview with Frances Presley”, Intercapillary Space, http://www.intercapillaryspace.org/2006/10/interview-with-frances-presley.html
- “Collaboration… collaboration…….collaboration”, 'Readings': Response and Reactions to Poetries, http://www.bbk.ac.uk/readings-old/r2/frances.html
- “Statement of Poetics”, British Electronic Poetry Centre, http://www.southampton.ac.uk/~bepc/poets/presley_3.htm
- “Hazel Eardley-Wilmot: a search for origins”, Junction Box, http://lyndondavies.co.uk/w/769/frances-presley-hazel-eardley-wilmot-a-search-for-origins/
Criticism, Reviews etc
- Tony Frazer & Frances Presley, “Frances Presley” (+ bibliography), Poetry International http://www.poetryinternationalweb.net/pi/site/poet/item/9177/29/Frances-Presley
- Douglas Messerli, “Frances Presley” (+ bibliography), The PIP (Project for Innovative Poetry) Blog, http://pippoetry.blogspot.co.uk/2008/11/frances-presley.htmlSteve Spence, “Remembering & Interpretation: Lines of Sight, Frances Presley (Shearsman Books)”, Stride Magazine, http://www.stridemagazine.co.uk/Stride%20mag2010/march%202010/Lines%20of%20Sight.htm
Bibliography
- with Irma Irsara, Automatic Cross Stitch (Other Press, 2000)
- with Elizabeth James, Neither the One nor the Other (Form Books, 1999)
- Paravane: new and selected poems, 1996-2003 (Salt, 2004)
- Myne: new and selected poems and prose, 1976-2005, (Shearsman, 2006)
- Lines of Sight, (Shearsman, 2009)
- with Tilla Brading, Stone Settings (Odyssey Books & Other Press, 2010)
- with Peterjon Skelt, Alphabet for Alina, (Five Seasons Press, forthcoming 2012)
· Anthologies
- Infinite Difference: Other Poetries by UK Women Poets (edited Carrie Etter, Shearsman, 2010
- A Ground Aslant – Radical Landscape Poetry (edited Harriet Tarlo, Shearsman, 2011)
Labels: bibliography, criticism, Frances Presley, links, Meeting
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